3 November to 10 November
Ruth Maclennan
An extended interruption
I can’t see any thing clearly right now. Not because of a lack of clarity on my part, though there may be, but because of the suspense of the past days and nights and those around the corner. Click to read more
Catherine Rodosa
Kyoko Kasuya
Just before the second lockdown happened in France, I was in the same forest 3 times for a shooting. It was romantic to see the color of leaves changing slightly every time I visited. Probably it’s hackneyed but for me it is precious to feel this magical moment.
Liza Dimbleby
Letter from Glasgow: AFTER NATURE (28/10/20)
On the train last week I read an article about Pissarro and Cézanne. I looked at the reproduction of Pissarro’s cabbage field Le Champ de choux, Pontoise: purple, green and silver, printed in the paper. I read the words describing the painting and I looked from the train window to fields of purple and green, fenland furrows and brassicas, picked out in silvery light.
Modernity is Loss Of World. The writer himself disclaims this as a cliché, but one that “draws blood”.
Such sentences read differently at the moment. The thought of loss of world has a new twist and is no longer just about painting, or picturing even, though it is also all the more about that.
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SE Barnet
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Ana Mendes
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Manuela Morgaine
CAVE CANEM Prends garde au chien, cette inscription on la trouve à l’entrée des anciennes demeures de Pompéi. En Italie OCCHIO, littéralement ŒIL indique un danger imminent dont il faut se protéger. Premier jour du deuxième confinement à Paris, en un temps épidémique hors de contrôle, mêlé à la terreur des couteaux sur la gorge des innocents, l’impression que la Peste menace notre Humanité.
Cet Œil ouvert reste un refuge et le garant de notre résistance.
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Katja Stuke
Ivana Vollaro
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Michelle Deignan
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